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M*A*S*H (27 points)
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2. The Passion of Anna (25 points)
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3. The Wild Child (18 points)
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4. My Night at Maud's (16 points)
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5. Five Easy Pieces (10 points)
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Ingmar Bergman - The Passion of Anna (24 points)
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2. François Truffaut - The Wild Child (20 points)
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3. Robert Altman - M*A*S*H (19 points)
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4. Luis Buñuel - Tristana (10 points)
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5. Bob Rafelson - Five Easy Pieces (9 points)
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George C. Scott - Patton (18 points)
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2. George Segal - Loving, The Owl and the Pussycat, and Where's Poppa? (14 points)
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3. Jean-Louis Trintignant - My Night at Maud's (12 points)
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4. Jack Nicholson - Five Easy Pieces (11 points)
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5. Alan Arkin - Catch-22 (9 points)
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Glenda Jackson - Women in Love (27 points)
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2. Françoise Fabian - My Night at Maud's (20 points)
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3. Liv Ullmann - The Passion of Anna (15 points)
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4. Barbra Streisand - The Owl and the Pussycat (9 points)
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5. Carrie Snodgress - Diary of a Mad Housewife (8 points)
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Chief Dan George - Little Big Man (21 points)
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2. Anthony Perkins - Catch-22 and WUSA (16 points)
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3. Richard Castellano - Lovers and Other Strangers (11 points)
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4. Peter Boyle - Joe (8 points)
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4. Paul Mazursky - Alex in Wonderland (8 points)
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Lois Smith - Five Easy Pieces (29 points)
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2. Sally Kellerman - M*A*S*H (12 points)
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3. Eva Marie Saint - Loving (10 points)
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4. Karen Black - Five Easy Pieces (9 points)
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4. Trish Van Devere - Where's Poppa? (9 points)
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Éric Rohmer - My Night at Maud's (23 points)
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2. Ingmar Bergman - The Passion of Anna (17 points)
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3. Adrien Joyce [Carole Eastman] - Five Easy Pieces (15 points)
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4. François Truffaut and Jean Gruault - The Wild Child (13 points)
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5. Jorge Semprún - The Confession (10 points)
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Néstor Almendros - The Wild Child and My Night at Maud's (24 points)
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2. Sven Nykvist - The Passion of Anna and First Love (18 points)
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3. Billy Williams - Women in Love (16 points)
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4. Giuseppe Rotunno - Fellini Satyricon (7 points)
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Donald Richie and the Film Department of the Museum of Modern Art for the three-month Retrospective of Japanese Films which they held in 1970
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Daniel Talbot of the New Yorker theater for the contribution he has made to the cinema by showing films that might not otherwise have been available to the public
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